![]() ![]() Combi mode, these buttons select the preset to play in each of the eight parts. For example, the default page selection presets (Korg programs), displays a kind of quick edit with the most critical parameters (balance CSOs, filter, envelope, effect level. The M1 has 8 soft keys under the screen to access most often at all values of a given page. And it is also the basis of the architecture of all other Korg synths next. M1 pitch stick: Pitch bend, modulation and modulation + Y-Y.Ģ inputs for foot control / switch and one input for sustain pedal. 100 and 100 combis progs additional card RAM / ROM. Workstation synth 61 keys velocity sensitive and aftertouch monaural.ġ6 voice polyphony, 8 part multi-timbral.ĪI synthesis (2 CSOs, non-resonant two digital filters, 3 envelopes, 1 LFO, 2 digital multi-effects).Ĩ track sequencer, 10 songs, 100 patterns, 7700 notes.ġ00 programs and 100 combis editable memory. ![]() the rest is spent ratherĪnd of the M1, this is a keyboard that marked the spirit of musician who could not afford the full range of professional studio at the time.įirst workstation, it also killed some career Wavestation, which far exceeds the level, but not in use. I put 10 for organ and piano, because I was looking for a long time and I had approached this without having found. However, if your trip is a bit of electro revival then you have a few presets that will be essential You will understand, if your style is jazz free jazz, I think it missed. ![]() The output level is strong enough, claps sec. ) and especially for a piano, which toured the dancefloors in the 90 ' Simple configuration, edition ultra sounds easy, especially a small sequencer, but unknown ultra fishing practice by the number of notes, but really effective!Īnd quite frankly, it's easy, the M1 is a few tablecloths, a big organ sound of the 90s (which does not mean realistic, but immediately recognizable in hits such as Jaydee or Luv4Luv. Missing knobs, but a slider value is very convenient to edit the parameters in real time (GPA Cutoff FX. Ī keyboard 25 years ago, but still running, six octaves, a hundred sounds, two multi-effects, joystick. So I will buy a M1 and T3: when you love. Otherwise, the Korg T3 cheaper in secondhand (?), While this is an improved M1. Regarding the secondhand market, is the way to € 400/450 very often it is too. But as soon as I have a great secondhand, I bought without hesitation. My M1, I have not kept: finance requires, sometimes life leaves us no choice. Powerful, stable, solid.Īcoustic instruments for it, better to take an arranger keyboard.īass synth: not very powerful, but super cozy, did not expect the Stabb Loons.įinally, it is better to try before you buy, because I love a buddy hated. Even facing today's standard, it does not have to fade. The effects section offers very good editable presets, we color the sound as you want. The filters are very good, but not resonant. on the other hand must obtain sample cards (there is a very substantial library). Sounds, except the M1 piano world famous programming is very simple: starting with samples, the logical work on any synth filtered, cut with envelopes (ADBSSR), finally. The chapter sequence editing is big and boring, but no choice. But I totally understand that this may deter a good number of musicians. I like to spend hours editing footage directly on the machine. ![]() In my case, I love, because I only use my pc for load / save sysex (this on all my bikes). Sequencer, like any hardware synth is an ordeal for user app. In combined mode, assembling several sounds, we split. The creation of sound is very simple, for which uses digital synths. The first Workstastion: Keyboard + sounds + + sequencer effects. ![]()
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